Review: Fisch 22 - Auto-Psy - Necrophage

i picked this up as a white label from the container record store. this was one of the earliest releases of mouse aka stella michelsen - the 3rd or the 4th? i had listened to fisch 18 by her, and was enchanted by it.
the record came with a group of poems in the sleeve, one for each of the tracks. i thought this was a a nice touch, and the poems were touching. it is something i am missing with hardcore releases today - especially the connection with artforms such as poetry.

A2 i'll start with the second track so it's a bit of a change of order. this is one of the roughest track i heard at that time (i considered it to be the hardest track). after the creepy intro, killer bassdrums hit you hard in the head. very industrial sounding, very metallic, very dirty. they have a bit of a varispeed thing to them, which is nice too. the track keeps pounding the whole minutes it runs through. weirded-out, surreal, psycho samples come and go and make it somewhat of a sonic journey - a very fulfilling journey.

A1 the starter track. i remember the poem linked it somewhat to the "nerve cables" inside ones head being torn apart as being the sound source of the first seconds. a very fitting comparising. this is full on noise, yet not in a wall of white noise way, but screeches, ringing, like fingers running along the chalkboard to drive you mad. excellent!

B1 frantic, frantic, frantic. again. yet, this track also has somewhat of a relaxing feel. various "ambient" sounds - dark ambient - are employed here. the kick brakes down, comes back in, drags you forward. this has somewhat of a very interesting feel. different planet hardcore.

B2 next to A2 my favorite track on this record. it seems to me generally the B side on this record is more calm than side A? calm is an understatement though, since this is as frantic, hectic and brutal and it can get with hardcore. again we have a full on attack of noises and surreal, spacy sounds. the last seconds of this track are my favorite part, also my favorite part of this record. strange, bizarre, reverberated sounds that fade out and leave you on into your dreams - or rather, nightmares.